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The Bigger Picture: Visual Archives and the Smithsonian

Posts tagged with: Cities/Places

Mr. Rogers at the Zoo

by Mary Markey on June 18, 2013
Mr. Rogers and Ambika, July 1982, by Terry Arthur, Record Unit 371, Box 4, Smithsonian Institution Archives

Does the jovial fellow riding Ambika the elephant look familiar? It's Fred Rogers, leaving his neighborhood for a visit to the National Zoological Park in the spring of 1982. The host of the children's show Mr. Roger’s Neighborhood met giraffes, tigers, and lions as well as pachyderms Ambika and Shanthi; Keepers Jim Jones and Barbara Bingham were featured guests.

Despite rainy conditions, everything went smoothly until the elephant ride. According to The Torch:

As soon as Mr. Rogers was perched atop Ambika's back,  she decided she wanted a bath and lumbered eagerly towards the pool. While zoo keepers headed her off, "little" (4,000 pound) Shanthi's curiousity was piqued by the cameraman and his fascinating equipment. As she set off to investigate, our fleet-of-foot staffers quickly foiled a farcical finale.

The episode filmed at the zoo was titled Mr. Rogers Talks About Pets, broadcast on June 4, 1982. You can a find a synopsis at The Neighborhood Archive.

Shanthi and Ambika still live at the National Zoological Park, enjoying their new home, the Elephant Trails exhibit. Now Shanthi is up to 9,000 pounds!

Related Collections

  • Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives
Categories: Smithsonian History
Tags: Cities/Places, Entertainment
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Summertime on the Mall - Smithsonian Folklife Festival

by Mitch Toda on June 13, 2013

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Ironworkers at 1976 Festival of American Folklife, by Jan Faul. Smithsonian Institution Archives, Neg. no. 80-2634.10.

Ironworkers at 1976 Festival of American Folklife.


Ironworkers at 1976 Festival of American Folklife, by Jan Faul. Smithsonian Institution Archives, Neg. no. 80-2634.10.

Ironworkers at 1976 Festival of American Folklife, by Jan Faul. Smithsonian Institution Archives, Neg. no. 80-2631.17A.

Ironworkers at 1976 Festival of American Folklife.


Ironworkers at 1976 Festival of American Folklife, by Jan Faul. Smithsonian Institution Archives, Neg. no. 80-2631.17A.

Ironworkers at 1976 Festival of American Folklife, by Jan Faul. Smithsonian Institution Archives, Neg. no. 80-2629.29A.

Ironworkers at 1976 Festival of American Folklife.


Ironworkers at 1976 Festival of American Folklife, by Jan Faul. Smithsonian Institution Archives, Neg. no. 80-2629.29A.

At the 1985 Festival of American Folklife, the Hayride String Band performs, by Jeff Tinsley. Record Unit 371, Box 5, Folder - June 1986, Smithsonian Institution Archives, Neg. no. 85-15097-01.

At the 1985 Festival of American Folklife, the Hayride String Band performs.


At the 1985 Festival of American Folklife, the Hayride String Band performs, by Jeff Tinsley. Record Unit 371, Box 5, Folder - June 1986, Smithsonian Institution Archives, Neg. no. 85-15097-01.

Good Morning America anchors Steve Bell (r.) and Joan Lunden interview Chief Charles Taylor at the Festival of American Folklife on July 4, 1985, by Richard K. Hofmeister. Record Unit 371, Box 4, Smithsonian Institution Archives, Neg. no. 85-15023-07.

Good Morning America's Steve Bell and Joan Lunden interview Chief Charles Taylor


Good Morning America anchors Steve Bell (r.) and Joan Lunden interview Chief Charles Taylor at the Festival of American Folklife on July 4, 1985, by Richard K. Hofmeister. Record Unit 371, Box 4, Smithsonian Institution Archives, Neg. no. 85-15023-07.

The crowd at the Festival of American Folklife, 1985, by Jeff Tinsley. Record Unit 371, Box 5, Folder - June 1987, Smithsonian Institution Archives, Neg. no. 85-15131.4.

The crowd at the Festival of American Folklife, 1985.


The crowd at the Festival of American Folklife, 1985, by Jeff Tinsley. Record Unit 371, Box 5, Folder - June 1987, Smithsonian Institution Archives, Neg. no. 85-15131.4.

Festival participants performing a dance associated with Haitian Vodoun ritual, 1989, by Rick Vargas. Accession 93-114, Smithsonian Institution Archives, Neg. no. 89-17204.5.

Festival participants performing a dance associated with Haitian Vodoun ritual


Festival participants performing a dance associated with Haitian Vodoun ritual, 1989, by Rick Vargas. Accession 93-114, Smithsonian Institution Archives, Neg. no. 89-17204.5.

Junior volunteer John McCauley demonstrates marblemaking to onlookers at the 20th Festival of American Folklife, in the Summer of 1986, by Dale Hrabak. Record Unit 371, Box 5, Smithsonian Institution Archives, Neg. no. 86-7301-15A.

Junior volunteer John McCauley demonstrates marblemaking to onlookers


Junior volunteer John McCauley demonstrates marblemaking to onlookers at the 20th Festival of American Folklife, in the Summer of 1986, by Dale Hrabak. Record Unit 371, Box 5, Smithsonian Institution Archives, Neg. no. 86-7301-15A.

Richard Kurin, Director of the Center for Folklife Programs and Cultural Studies, working to prepare the Mall for the Festival of American Folklife, 1991, by Jeff Tinsley. Accession 98-015, Box 2, Folder - Torch 1991, July 1991, Smithsonian Institution Archives, Neg. no. 91-7875.19A.

Richard Kurin, Director of the Center for Folklife Programs and Cultural Studies


Richard Kurin, Director of the Center for Folklife Programs and Cultural Studies, working to prepare the Mall for the Festival of American Folklife, 1991, by Jeff Tinsley. Accession 98-015, Box 2, Folder - Torch 1991, July 1991, Smithsonian Institution Archives, Neg. no. 91-7875.19A.

At the Festival of American Folklife in 1989, a participant from Hawaii demonstrates crafts to children while visitors look on, the making of an Hawaiian lei. Record Unit 95, Box 59A, Folder 14, Smithsonian Institution Archives, Neg. no. 89-18479.

A participant from Hawaii demonstrates the making of an Hawaiian lei


At the Festival of American Folklife in 1989, a participant from Hawaii demonstrates crafts to children while visitors look on, the making of an Hawaiian lei. Record Unit 95, Box 59A, Folder 14, Smithsonian Institution Archives, Neg. no. 89-18479.

At the July 3-14, 1974 Festival of American Folklife, Native Americans section, a woman participates in the blanket toss, a game in the World Eskimo Olympics. Record Unit 371, Box 2, Folder - July/August 1974, Smithsonian Institution Archives, Neg. no. 94-13194.

A woman participates in the blanket toss, a game in the World Eskimo Olympics.


At the July 3-14, 1974 Festival of American Folklife, Native Americans section, a woman participates in the blanket toss, a game in the World Eskimo Olympics. Record Unit 371, Box 2, Folder - July/August 1974, Smithsonian Institution Archives, Neg. no. 94-13194.

Summertime in Washington, DC usually brings a few things to mind for me:  the United States Department of Agriculture farmer's market, tourists, buses, Jazz in the National Gallery of Art Sculpture Garden, and the Smithsonian Folklife Festival.  First started in 1967, this year's festival focuses on the following:

  • Hungarian Heritage: Roots to Revival
  • One World, Many Voices: Endangered Languages and Cultural Heritage
  • The Will to Adorn: African American Diversity, Style, and Identity

Running from June 24-26 and July 3-7, the schedule of activities, programs, and performances is incredible.  So if you'll be in Washington, DC during this time or live nearby, please come out to learn from and experience the Smithsonian Folklife Festival.

Related Resources

  • Smithsonian Folklife Festival
Categories: Smithsonian History
Tags: American History, Cities/Places, World History
Comments: View 3 comments, or Give us yours!
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The Smithsonian and South Carolina in the Civil War

by Heather Ewing, Research Associate on June 6, 2013

Old Beaufort College, home of the Beaufort Library in 1861. Photo by Malcolm Goodridge, 2013.I was visiting South Carolina recently, and passed through Beaufort.  It turns out this beautiful southern town has a surprising connection to the Smithsonian.

In November 1861, when Union troops occupied Beaufort, one of the principal treasures of the town was its outstanding library - which had been incorporated in 1807 and encompassed several thousand books, many having been brought back from Europe by wealthy Carolinians. With the arrival of the troops, landed Beaufort-area residents had fled and the town was in the hands of those left behind: enslaved people from the Sea Islands plantations.

General Isaac Stevens and staff in Beaufort, 1862. Photo by Timothy O’Sullivan. Library of Congress.General Isaac Stevens, the Union commanding officer, ordered that the library, called "the pride of the town," be arranged for the use of the troops. Within a few months, however, a treasury agent appeared, demanding the books be confiscated as war booty. The books were sent to New York, where they were put up for auction.

The Smithsonian Institution Building, as seen from the southwest in 1858, with the stocky South Tower, where the Beaufort Library was stored, visible in the front center. Record Unit 95, Smithsonian Institution Archives, Neg. no. MAH-36881.This caused an immediate outcry. The New York Times editorialized against it; and a letter to the editor urged them to continue the fight (or as the writer wonderfully put it, "ventilate" the subject!). Within a day, Salmon Chase, Lincoln's Treasury Secretary, allegedly declared "the Union does not make war on books," and put a halt to the proceedings. The books were then deposited for safe keeping at the Smithsonian. They were to be returned at the conclusion of the war. (Salmon Chase became a Smithsonian Regent in 1864, after Lincoln successfully nominated him to be Chief Justice of the Supreme Court, and he continued in that role until his death in 1873.)

Saved from auction, the books were placed in the fifth floor of the South Tower of the Smithsonian Building (the Castle - then the Smithsonian's only building). The war dragged on; in 1864, two years after the seizure of the books, newspapers reassured the South that the library remained safe and sound.

The Beaufort branch of the Beaufort County Library today. Photo from the Beaufort Branch Library Facebook page.Tragically, on January 24, 1865, fire ripped through the Castle building. The Beaufort Library collection was completely destroyed, along with many other collections and papers - including almost all of the relics of the Smithsonian's founder, James Smithson, which were being kept a few floors below in the Regents Room.

Beaufort eventually received some token compensation for their loss. Today the Beaufort County Library is a thriving place. Happily, the book collection lost in the 1865 fire wasn't the last connection between Beaufort and the Smithsonian. The library hosted a Smithsonian traveling exhibition in early 2012.

Related Resources

  • Smokin' Smithsonian, The Bigger Picture blog, Smithsonian Institution Archives
Categories: Smithsonian History
Tags: American History, Cities/Places, Politics/Government
Comments: View 1 comments, or Give us yours!
All comments are moderated and subject to approval. Further information is available in The Bigger Picture’s Commenting Guidelines.

"If you feed them, they will come."

by Ellen Alers on May 23, 2013

Moonwatch Volunteers, 1965, by Unknown, 1965, Smithsonian Archives - History Div, 96-960.The Reference team gets more than 5000 – yes, thousand – inquiries per year.  They come from all over the world and cover everything from soup to nuts.  I’ll save the nuts for another post, and focus on the soup or, more specifically, tea and how refreshments are vital to a successful volunteer effort.

One of our perennial topics of interest is, Operation Moonwatch.  Moonwatch was initiated in 1958 by Dr. Fred Whipple at the Harvard-Smithsonian Astrophysical Observatory during the International Geophysical Year (IGY). 

Operation Moonwatch created an international network of dedicated and enthusiastic volunteer sky-watchers of both genders (women made up about a third of all observers) and from every walk-of-life.  These citizen-scientists joined professional astronomers to track and report on satellites travelling through the night sky.  Often we hear from old "Moonwatchers" or, increasingly, genealogists that have learned through family lore or old paperwork about a relative's participation in the project and are eager to learn more.

Operation Moonwatch in Philippines, by Unknown, Smithsonian Archives - History Div, 96-1369.Recently I received an email from Greg Roberts of Johannesburg, South Africa, a former Moonwatcher who had been corresponding with some of his fellow observers.  Greg wanted to track down details on several South African observation teams operating out of Johannesburg and Blomenfontein.  Luckily we have great records documenting the Moonwatch program in Record Unit 255 where I could find what he was looking for.

The report from the Blomenfontein observation station, on Naval Hill near the old Lamont-Hussey Observatory, was detailed and complete.  It also included photographs of the observational set-up and drawings diagramming the layout of the entire observation station.  What I enjoyed best, though, were the detailed organizational lists.  These provided names of volunteers, their occupations, tasks and responsibilities and descriptions of nightly activities.

Operation Moonwatch Event, Biloxi, Mississippi, by Unknown, c. 1958, Smithsonian Archives - History Div, 91-6389.As I read through the report's detailed description of the locality and how well-suited it was to the task, it became clear that the proximity of the telescopes to the canteen – and its' "pepping-up" the volunteers – made the whole arrangement "most satisfactory" for all involved. 

That made me smile, but I don't think you'd see that sort of personal touch in reports covering a partnership like Moonwatch today.  And that's too bad.  I mean, what a great recruiting tool – a night out, under the stars with others who share a common interest and cake, too.  Heck, I'm all over that!

For more information about Operation Moonwatch, check out, Keep Watching the Skies: The Story of Operation Moonwatch and the Dawn of the Space Age by Patrick McCray.  Dr. McCray made extensive use of Record Unit 255 for this book.

Related Collections

  • Record Unit 255 - Smithsonian Astrophysical Observatory Moonwatch Division, Records, 1956-1975, Smithsonian Institution Archives
Categories: Smithsonian History
Tags: Science, Cities/Places, Archive
Comments: View comments, or Give us yours!
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Twenty-Six and Blooming!

by Kira M. Cherrix on May 22, 2013

On this day in 1987, the Enid A. Haupt Garden, named for the American philanthropist and publisher, officially opened to the public. The Haupt garden, which is located adjacent to the Smithsonian Institution Building, sits above a three-story underground complex, known as the Quad, that includes the National Museum of African Art, the Arthur M. Sackler Gallery, and the S. Dillon Ripley Center.  A few times a year, the colorful flowers displayed in the garden are changed to reflect the foliage currently in bloom.

Click through the slideshow for photos of construction of the Quad and the Enid A. Haupt Garden!

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Two engineers from the Law Engineering Testing Company conduct a soil boring to obtain samples necessary to plans for the construction of the Quadrangle Building in the South Yard behind the Smithsonian Institution Building, 1979, by Richard K. Hofmesiter, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 79-3471-8.

Boring Samples in the Victorian Garden


Two engineers from the Law Engineering Testing Company conduct a soil boring to obtain samples necessary to plans for the construction of the Quadrangle Building in the South Yard behind the Smithsonian Institution Building, 1979, by Richard K. Hofmesiter, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 79-3471-8.

A photograph of the model of the Quadrangle, a complex of buildings that contain the Sackler Gallery, National Museum of African Art, S. Dillon Ripley Center, and the South Yard behind the Smithsonian Institution Building, or "Castle," and the Arts and Industries Building, c. 1979, color photographic print, Accession 09-161 - Office of Facilities Services, Project Files, 1965-1984, Smithsonian Institution Archives, Neg. no. SIA2011-1345.

Model of the Quadrangle Viewed from the Southwest


A photograph of the model of the Quadrangle, a complex of buildings that contain the Sackler Gallery, National Museum of African Art, S. Dillon Ripley Center, and the South Yard behind the Smithsonian Institution Building, or "Castle," and the Arts and Industries Building, c. 1979, color photographic print, Accession 09-161 - Office of Facilities Services, Project Files, 1965-1984, Smithsonian Institution Archives, Neg. no. SIA2011-1345.

Trucks are hauling dirt from the construction site in preparation for the Smithsonian Institution's $73.2 million underground complex on the Quad which includes the National Museum of African Art, the Arthur M. Sackler Gallery, and a circular kiosk to the S. Dillon Ripley International Center, c. 1984, by Jeffrey Ploskonka, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 2004-4100

Trucks Haul Dirt for Quad Construction


Trucks are hauling dirt from the construction site in preparation for the Smithsonian Institution's $73.2 million underground complex on the Quad which includes the National Museum of African Art, the Arthur M. Sackler Gallery, and a circular kiosk to the S. Dillon Ripley International Center, c. 1984, by Jeffrey Ploskonka, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 2004-4100

Looking down from the tallest tower of the Smithsonian Institution Building towards Independence Avenue, view is of the Quadrangle (South Yard) construction site, 1984, by Jeff Tinsley, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. SIA2011-1329.

Quadrangle Construction


Looking down from the tallest tower of the Smithsonian Institution Building towards Independence Avenue, view is of the Quadrangle (South Yard) construction site, 1984, by Jeff Tinsley, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. SIA2011-1329.

Eighth Smithsonian Secretary (1964-1984) S. Dillon Ripley (1913-2001) inspecting construction at the Quadrangle building site with (from l.), Charles Blitzer, Arthur M. Sackler, founding donor of the Arthur M. Sackler Gallery, Jill Sackler, and Mary Livingston Ripley, 1984, by Kim Nielsen, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 2004-10339.

Secretary Ripley at Quad Construction


Eighth Smithsonian Secretary (1964-1984) S. Dillon Ripley (1913-2001) inspecting construction at the Quadrangle building site with (from l.), Charles Blitzer, Arthur M. Sackler, founding donor of the Arthur M. Sackler Gallery, Jill Sackler, and Mary Livingston Ripley, 1984, by Kim Nielsen, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 2004-10339.

On October 15, 1984 (c. 8:30 a.m.), a thick, black smoke surrounded the Smithsonian Institution Building. It was caused by a fire in a tar-melting machine in the bottom of the Quad construction pit., 1984, by Mark Avino, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 84-11864-12A.

Fire at the Quad Construction Site


On October 15, 1984 (c. 8:30 a.m.), a thick, black smoke surrounded the Smithsonian Institution Building. It was caused by a fire in a tar-melting machine in the bottom of the Quad construction pit., 1984, by Mark Avino, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 84-11864-12A.

One of the first eight trees (lindens and magnolias) for the Enid Haupt Garden at the Quadrangle site being unloaded by crane on November 20, 1985., by Eric Long, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 85-17668-8A.

Moving Magnolia Trees for Haupt Garden


One of the first eight trees (lindens and magnolias) for the Enid Haupt Garden at the Quadrangle site being unloaded by crane on November 20, 1985., by Eric Long, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 85-17668-8A.

Looking from the Independence Avenue side of the Quad construction. The floor will eventually be the roof of a 10,000 square foot, two-story high exhibit gallery, 1985, by Jeff Tinsley, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 85-6242-28.

Quad Construction


Looking from the Independence Avenue side of the Quad construction. The floor will eventually be the roof of a 10,000 square foot, two-story high exhibit gallery, 1985, by Jeff Tinsley, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 85-6242-28.

At the end of the three-story high concourse in the Smithsonian Institution's underground complex is an illusionist mural by Richard Haas, 1987, by Robert Lautman, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 87-6702.

Mural Located End of Quadrangle Concourse


At the end of the three-story high concourse in the Smithsonian Institution's underground complex is an illusionist mural by Richard Haas, 1987, by Robert Lautman, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 87-6702.

View of Arthur M. Sackler Gallery pavilion with pyramided roof located at the Smithsonian Institution in the four-acre Enid A. Haupt Garden, formerly known as the South Yard, 1987, by Jeff Tinsley, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 87-7964-23.

Aerial View of Arthur M. Sackler Pavilion


View of Arthur M. Sackler Gallery pavilion with pyramided roof located at the Smithsonian Institution in the four-acre Enid A. Haupt Garden, formerly known as the South Yard, 1987, by Jeff Tinsley, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 87-7964-23.

Enid A. Haupt (l.) and Lady Bird Johnson in the Enid A. Haupt Garden in the South Yard of the Castle, on their way to a celebration being held for Mrs. Johnson in the Arts and Industries Building, April 24, 1988, in honor of her 75th birthday., 1988, by Richard Strauss, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 88-8669-12.

Enid A. Haupt and Lady Bird Johnson


Enid A. Haupt (l.) and Lady Bird Johnson in the Enid A. Haupt Garden in the South Yard of the Castle, on their way to a celebration being held for Mrs. Johnson in the Arts and Industries Building, April 24, 1988, in honor of her 75th birthday., 1988, by Richard Strauss, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 88-8669-12.

The Smithsonian Institution Building or "Castle's" south entrance, viewed from Independence Avenue. The Enid A. Haupt Garden in the South Yard welcomes visitors through the gates, 1990, by Jeff Tinsley, color photographic print, Accession 11-009 - Smithsonian Photographic Services, Photographic Collection, 1971-2006, Smithsonian Institution Archives, Neg. no. 90-6258.

Smithsonian Institution Building


The Smithsonian Institution Building or "Castle's" south entrance, viewed from Independence Avenue. The Enid A. Haupt Garden in the South Yard welcomes visitors through the gates, 1990, by Jeff Tinsley, color photographic print, Accession 11-009 - Smithsonian Photographic Services, Photographic Collection, 1971-2006, Smithsonian Institution Archives, Neg. no. 90-6258.

Smithsonian Secretary S. Dillon Ripley sitting on roof of building across from South Yard, 1987, color photographic print, Record Unit 7008 - Sidney Dillon Ripley Papers, 1913-1993, Smithsonian Institution Archives, Neg. no. SIA2007-0157.

S. Dillon Ripley Views Quadrangle


Smithsonian Secretary S. Dillon Ripley sitting on roof of building across from South Yard, 1987, color photographic print, Record Unit 7008 - Sidney Dillon Ripley Papers, 1913-1993, Smithsonian Institution Archives, Neg. no. SIA2007-0157.

Aerial view from the southwest of the Smithsonian Institution Building, Freer Gallery of Art, Arthur M. Sackler Gallery, National Museum of African Art, Arts and Industries Building and Enid A. Haupt Garden, 1993, by Jeff Tinsley, color photographic print, Accession 11-009 - Smithsonian Photographic Services, Photographic Collection, 1971-2006, Smithsonian Institution Archives, Neg. no. 2002-724.

Aerial View of Quadrangle


Aerial view from the southwest of the Smithsonian Institution Building, Freer Gallery of Art, Arthur M. Sackler Gallery, National Museum of African Art, Arts and Industries Building and Enid A. Haupt Garden, 1993, by Jeff Tinsley, color photographic print, Accession 11-009 - Smithsonian Photographic Services, Photographic Collection, 1971-2006, Smithsonian Institution Archives, Neg. no. 2002-724.

Related Resources

  • Enid A. Haupt, Wikipedia
  • Enid A. Haupt Garden Opens, Smithsonian Institution Archives
Categories: Smithsonian History
Tags: Cities/Places, Archive
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