The Bigger Picture: Visual Archives and the Smithsonian
Posts tagged with: Digitization
Collaboration. It's the one word that during almost every conference and pan-institutional discussion, everyone says, and hears, a lot. In fact, it's the theme of this year's Archives Month! But why is it so important to collaborate? Because collaboration allows for people with different knowledge and skill sets to come together to solve a common problem. At the Archives, we often work with other Smithsonian divisions and outside groups to solve complex problems in the field of audiovisual (AV) digitization and preservation.
A perfect example of collaborative work at its best is the AV Hack Day from this year's Association of Moving Image Archivists (AMIA) annual conference in Savannah, Georgia. During Hack Day, programmers and archivists came together to create open source tools that tackle common preservation problems that have been identified in the field of AV archiving. Some of the tools created include Hack Day Capture, a tool that works with a Blackmagic capture card and ffmpeg to digitize analog video, Video-Sprites, which eases the process of making web video more accessible, and Characterization Compare, which allows the user to see the outputs from EXIFtool, MediaInfo, and ffmpeg side by side. These tools and all of the others created during Hack Day are available on the AMIA Open Source Github page.
For the past several years, members of the Archives have worked with other government agencies to form a group called the FADGI (Federal Agencies Digitization Guidelines Initiative). The primary goal of this group is to create guidance for the digitization of still image and audiovisual materials that other archives, public or private, can use when making decisions on how to best preserve their materials. Last month, FADGI released file format comparison charts for still images and analog videos, as well as a set of case histories contributed from eight different units that detail how they are dealing with born digital audio and video content within their collections. The comparison chart for analog audiovisual materials provides information on sustainability, cost, and system implementation for the various codecs and wrappers that are currently being used to create preservation files.
Smithsonian divisions often collaborate with each other as well. Since the majority of the equipment in analog AV archiving can be hard to find, the AV archivists group (AVAIL) here at the Smithsonian created an internal registry of the different equipment owned by each of the divisions, so that we can work together to share resources. The list includes information on the number of decks of a particular type owned by a given division, as well as whether or not they are currently in working condition. This makes it so that when I come across a Hi8 tape in our collections, a format that we do not have a deck for, I can simply consult the registry and contact the appropriate division to see if their deck might be available for me to use. Through the AVAIL listserv, we have also shared our knowledge of different migration errors to help each other solve unusual problems.
Ultimately, it's important to collaborate with others in and outside your field because the knowledge of the many is often more comprehensive than the knowledge of few. Additionally, we are all working towards the same goal of preserving our collections in the best possible way, so working together allows us to optimize our resources and our time. How has collaboration helped you in your field of work?
- Smithsonian AV Archivists Tumblr
- The End of the Beginning: A Born Digital Survey at the Smithsonian Institution, The Bigger PIcture, Smithsonian Institution Archives
- Audiovisual conservation resources, Library of Congress
- Archives Month across the Smithsonian
- A bold plan from the National Archives - Digitize their analog records, all 12 billion pages of them. [via AOTUS blog, NARA]
- An epic road trip - Collecting on the road with Jason Stieber, National Collector, Archives of American Art. [via Smithsonian Collections Blog]
- Now availble - DigDC, a new online archive of Washington D.C. history created by the D.C. Public Library’s Special Collections department. [via Washington Post]
- Documenting events as the are happening - A conversation with Howard Besser and the efforts of Activist Archivists in saving the records of the "Occupy" movement. [via The Signal: Digital Perservation, LOC]
- From the stacks - Exhibits writer-editor, David Romanowski, talks about his adventures in doing research in the National Air and Space Museum Archives' Technical Files for the Hawaii by Air exhibition. [via AirSpace blog, NASM]
- Some thoughts on archival appraisal in the age of distant reading and computational analysis of large sets of electronic records. [via The Signal: Digital Preservation, LOC]
- Gale/Library Journal 2014 Library of the Year - Edmonton Public Libary - presents this cool video timeline of their 101 year history. [via InfoDocket]
- October is American Archives Month and archives across the Smithsonian are planning a variety of activities to highlight their collections and what they do. [via Smithsonian Collections Blog]
- A new poison dart frog discovered in Panama. [via Smithsonian Science]
- Now online - The National Library of Medicine joins The Commons on Flickr and a collection of women's movement ephemera at Europeana. [via InfoDocket and Europeana Blog]
- To Do or Not to Do - The Shakespeare Theatre Company, in collaboration with the U.S. Botanic Garden, presents An Escape to the Forest of Arden. An examination of nature through the lens of William Shakespeare's writing. [via Marcel LaFollette, SIA]
- Take a look at the New York Public Library's map collection which was established in 1898, and includes more than 433,000 sheet maps and 20,000 books and atlases published between the 15th and 21st centuries. [via InfoDocket]
- To boldy go - On September 11, 2014, the studio model of the Star Trek starship Enterprise, which has been on public display at the Smithsonian’s National Air and Space Museum since 1976, was removed for conservation in preparation for its new display location in the Boeing Milestones of Flight Hall, which will open in July 2016. [via AirSpace blog, NASM]
- As part of its exhibition, Nation to Nation: Treaties Between the United States and American Indian Nations, the National Museum of the American Indian will have on display the Haudenosaunee–U.S. Treaty of 1794. [via NMAI blog]
- Now online - 5 million First World War Prisoner Files from the Red Cross, The Barnard and Gardner Civil War Photographic Albums at Duke University, and 35,000 artworks from the Amon Carter Museum of American Art. [via InfoDocket]
- Additional guidance came out this week from the National Archives on managing email. [via AOTUS blog, NARA]
- A 500 year old map that helpd guide Columbus reveals hidden text using multispectral imaging. [via MapLab, Wired]
- A now you know - Images from the 1970s of tree-planters who were hired by logging companies to replant trees on the large portions of land left bare by clear cutting forestry operations. [via Cool Hunting]
- Get to know the Civil War by taking the MOOC "The Civil War and Reconstruction" taught by Pulitzer-prize winning historian, Eric Foner. [via Open Culture]
James Smithson’s original purpose in bequeathing his estate to the United States was to establish the Smithsonian Institution for the “increase and diffusion of knowledge.” And the saying goes - learn by doing. To this end, the Smithsonian has been increasing its interactive opportunities across its entire network of museums and research centers, and the Archives are no exception.
This summer, I had the opportunity to work as an intern with the Digital Services Division (DSD), mainly working on the digitization of special collections. During my time here, I noticed that both the DSD and the Archives as a whole place a heavy emphasis on public engagement with the Archives collections. Peoples' use of collections definitely plays an important role in guiding the Archives decisions on what to prioritize for digitization. This aspect combined with other factors such as the physical condition and size of the collection, the available information about the materials, and the use of digitized collections for special projects inform the Archives as to what collections to digitize.
My work this summer, along with a few other interns and volunteers, was to digitize some of the Archives collections for special projects. All of us came from different backgrounds and had varying degrees of experience with digitization. With the ever increasing demand for digitized materials from the Archives, it is constantly in need of as many helping hands as possible. As a result a great deal of the digitization work is done by interns or volunteers.
The digitization of materials allows the Archives to share its collections with those who are not able to physically come to the Archives. By making its content as widely available as possible on the Archives' website, in the Collections Search Center, and in the Smithsonian Institution Research Information System (SIRIS) its collections can be discovered by as many people as possible. A new avenue that people can interact with the Archives collections can be found in the Smithsonian Transcription Center, where “volunpeers” can help transcribe text from digitized materials. Meghan Ferriter, Project Coordinator, Smithsonian Transcription Center, talks about the role of volunpeers in her blog post Growing to a Community of Volunpeers: Communication & Discovery.
Making archival collections available online and engaging people to help make them more accessible are just some of the many steps towards connecting people to collections. As more museums, libraries, and archives put their collections online there will be more opportunities for people to see materials from across the country and from across the world. The Smithsonian has made great strides in the past few years in getting its collections online and is now poised better than ever to work with other institutions and organizations to make it collections more readily discoverable.
Indeed, Smithsonian Secretary G. Wayne Clough mentions in his e-book, Best of Both Worlds: Museums, Libraries, and Archives in a Digital Age, that one of the Smithsonian’s next endeavors is collaboration with other institutions. With the expanding role of Wikipedia in research archives around the world are recognizing that collaboration with sites that get heavy traffic is highly beneficial in making people aware of their collections. Indeed, the Archives continues to experience an increase in traffic on its website and in its use of collections as a result of hosting regular Wikipedia edit-a-thons.
The Archives is currently engaged in work with Gale Cengage Learning, and also often cooperates with other folks at the Smithsonian such as the National Museum of Natural History and the National Museum of American History. By collaborating with other museums and institutions in making its collections available, the Archives is following the tenet laid out by James Smithson for the "increase and diffusion of knowledge."
- Growing to a Community of Volunpeers: Communication & Discovery, The Bigger Picture blog, Smithsonian Institution Archives
- Location! Location! Location!, The Bigger Picture blog, Smithsonian Institution Archives
- Best of Both Worlds: Museums, Libraries, and Archives in a Digital Age, by G. Wayne Clough, Smithsonian Institution
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